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THE silence was broken a little later by merry voices on the stairway. For several nights the girls had been gathering in May Nell’s room. Billy knew “things were doing” there by the sounds; the tap, tap of the tack hammer, added to much chatter and rustling. Now May Nell caught him by the hand and pulled him across the hall. A strange pungent fragrance like burning spice, yet not familiar, met them at the door. And inside, the dark hangings full of lurking shadows gave the room a foreign air.,

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“Mannel Rodd, did you ever ketch a fish?”,

For two days the aromas from the kitchen had been such as to dispel the gloom from Moses’ countenance, and hope and anticipation blended on his youthful visage.

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“It’s time Billy was at home,” he heard his mother say as he opened her room door; and he stumbled on more hurriedly, across the bridge—at last, the Fo’castle!,

“Bear up aft there!” Billy commanded; and “Ay, ay, sir,” came back in equally nautical language.,

Evelyn relieved of her fear of the tottering kettle, roused to her charge. “Go ’way, Billy! Thank you, Billy. You mustn’t stay here! They’ll scold me. They said for me not to let you come; an’—”,

The pianist sat easily at the piano and began the Moskowski selection that had failed to create the expected furore in the afternoon. A cadenza that shivered down the spine like spray from a glacial torrent wakened the room. Then he plunged into the first theme. His small audience listened spell-bound. Betty’s eyes followed the fingers that leaped over the ivory keys like white flame. A subtle current began to play in the room. Steadily it grew in power. Magnetism to the nth degree was being generated. A tremendous chord brought the music to a close and the pianist to his feet. Something in Nell’s glance inspired him. He whirled about the room whistling and imitating some of the cadenzas and other passages from the selection just played. He gesticulated wildly with his hands, the passion for dramatic music oozing from his pores.